A certain prognosticator of seasonal change got wrenched out of his hovel and whispered into a Punxsutawnian’s ear: six more weeks.

Whether you take stock in that or not, winter is here to stay for a while. But no matter, celebrations still abound. Valentine’s Day is coming up; Wuthering Heights anyone? And in one resort town in Utah, a little film fest just wrapped up its latest iteration there. You might have heard of it. The Sundance Institute, founded by the late Robert Redford, has been the place to see emerging talents and independent artists. The last few weeks of January into February have been carved out to showcase and laud few films, as well as shop them to distributors. This marks the final year the fest will be in Park City, transferring to Boulder in 2027. While most of this year’s selections aren’t available yet, some of last year’s are now on streaming.

Quick PSA: I am not claiming that one country is better or more worthy than another is terms of creative output. We Americans have been putting together fine work for even the last few decades. “Mad Men,” “Six Feet Under,” “American Horror Story” (at least the first few seasons. These are just a smattering of some that I have witnessed. Surely there are angry readers yelling “Breaking Bad” into their newspapers now. But sometimes we get it wrong. A show isn’t given enough time or axed due to some outside pressure. And now it is time to jump on Netflix with their cancellation of “Boots.”

New Year, New You. At least that is the slogan every person who greets the incoming year says, a hope for some prosperous future we can all attain. Hello all, hope your winter break was good, that the holidays were a moment of stress-free reprieve. I, for one, feel that now is the real escape. My day job being in retail, the month of December contains a different power over me than it once was. Although I don’t prescribe to the notion that Christmas/Holiday music is annoying. Unless it is “Grandma Got Run Over By A Reindeer.”

But enough about that, here we are in the beginning of January. Possibly you are reflecting on what you didn’t do in 2025. Maybe a crisis came up that made you reevaluate your priorities, bring more focus to what is lacking. A crisis of faith, one might say. However, maybe it wasn’t that dramatic. That is just the dilemma at the emotional core of Rian Johnson’s latest in his Knives Out series.