There are no colorful props—no appropriate storefronts, houses, staircases, ships, merry-go-rounds, city streets, parks—nothing to lend visual authenticity to the production. In the Sound of Music, where’s the abbey? Or a staircase with seven charming children singing goodnight to party guests? In Some Like it Hot, where is the mysterious cabaret? Or a train car? In Brigadoon, where are the landscapes symbolizing Scottish moors? In Fiddler on the Roof, where are the rooftops?
